The Cotton Club
Harlem's Cotton Club was named for the light
brown color of un-dyed cotton: the skin color
of female entertainers it presented to its all-white audience.
Though the Cotton Club was one of the few places whites
came to hear black musicians, the club's strict policy allowed
blacks only on stage, not in the audience.
The club was owned by Owney Madden, a well-known
gangster and bootlegger. He ran the business for a period
from Sing Sing Prison, where he served time for
manslaughter. Throughout the Prohibition years, the club
served as a high-priced speakeasy featuring black revues
written by white writers. After Prohibition, the Cotton Club
moved to 48th Street, where it continued to operate until
1940.
Café Society
On the opposite end of Manhattan, in Greenwich Village, was
a nightspot called Caf� Society, as distant in spirit from the
Cotton Club as it was in location. Barney Josephson opened
Caf� Society after he sold his New Jersey shoe store. His
vision was to create a place where blacks and whites could
come together; Caf� Society became the first racially
integrated nightclub in America. A vibrant hub for music and
politics, its slogan read, 'The Wrong Place for the Right
People'. It was here, with the support of Josephson, that
Billie Holiday began to reach a wide audience, and where she
sang a song she would be famous for, "Strange Fruit."
Many of Caf� Society's patrons and
performers were of a radical or left wing
stripe. In the 1950s, during McCarthy's "red
scare," many were branded as enemies,
investigated and blacklisted. Josephson was
forced out of business and the club was shut
down.
Tin Pan Alley
The Blues and traditional Yiddish sound became essential
ingredients of popular music, synthesized in a place called Tin
Pan Alley, where a thriving sheet music business predated
the recording industry.
Tin Pan Alley was named after its location in an alley off 14th
Street, near the Lower East Side of Manhattan. Here, music
publishers kept their offices alongside tiny studios where
songwriters banged out new tunes on old, metallic-sounding
upright pianos. People passing by said the resulting clamor
sounded like pans being beaten, and the name was born.
Tin Pan Alley physically changed location, following New York's
pleasure center up Broadway and eventually landing in the Brill
Building just north of Times Square. The Alley's largely Jewish
songwriters continued writing tunes that became standards and
provided the melodic backbone of jazz, as that improvisatory
music evolved into be-bop. The Brill building, where many Tin Pan
Alley songwriters worked, would eventually become home to rock
and roll songwriters. While musical styles inevitably changed, the
social dynamic remained the same as it was when Irving Berlin
discovered ragtime.